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Why does every piano need to be tuned differently?

This is quite a complex matter. I will explain it in a couple of steps.

  1. Intervals beat
    When two keys are pressed at the same time (this is called an interval), a piano will produce a combined sound. If you listen closely you will hear that this combined sound beats. The volume increases and decreases a few times per second (some intervals beat slower).
  2. Each interval has to beat at the right speed
    Each interval on a piano's keyboard beats at a different rate. The rates of the beats for each interval are important. A piano will only sound good if these beats are exactly right. There are quite some rules that these beats have to respect. A major third beats faster than a fifth. An octave only beats very slowly. Also, if you play a major third somewhere on the keyboard, it will beat faster when you play it on a higher pitch (more to the right).
  3. The beats are produced by higher harmonics
    Okay, the interval's beats are important but where do they come from? Well, if two tones with almost the same pitch (but different) sound together they will produce a beat. Let's say tone A has pitch FA and tone B has pitch FB. When FB is only a little higher than FA together they will produce a beat with frequency F = FB - FA.
  1. This is getting quite technical and not so important. But if you like, you can study the animation below to understand this principle.

    Il battito si verifica quando due toni con una piccola differenza di intonazione sono suonati allo stesso tempo
    Piano Interval Beats
    So, two tones with pitches that are close to each other produce a beat. That's good to know but the two tones of an interval are not close at all! The pitch ratio of a major third (in just intonation), for example, is 1.25. These two pitches are far apart. They will never beat! What is it that's producing the beat then?
  1. The answer lies in the higher harmonics that vibrating strings produce. When a string is struck, it will produce many tones at the same time. It will vibrate at its fundamental (the lowest) pitch, but it will also vibrate at a frequency of 2, 3, 4, etc. times its fundamental frequency. The cause for this is that a string can vibrate in several ways. Può vibrare in un'unica sezione; il centro della corda oscilla e gli estremi rimangono fissi. Può vibrare in due sezioni. il centro e gli estremi sono fissi e la corda oscilla a 1/4 e 3/4 della lunghezza. This way a string can also vibrate in three, four, five... etc. sections. Tutte queste vibrazioni avvengono contemporaneamente nella corda. The animation below clarifies this. The sections are also called parts which is the reason that higher harmonics produced by strings are also called partials.

    Piano String Partials
  1. Now we can understand what is causing the beats in, for example, a major third. The interval from A4 to C#5 is a major third. If the A4 has a pitch of 440 Hz then the C#5 (in just intonation) has a pitch of 550 Hz. The fourth harmonic of the A4 (5 * 440 = 2200 Hz) is the same as the third harmonic of the C#5 (4 * 550 = 2200 Hz). So one of the beats that you hear in a major third is caused by these two higher harmonics. You actually can hear multiple beats caused by multiple pairs of different harmonics. You can imagine how hard it is to hear (and count) these beats by ear. Professional tuners practice years to get it right.
  2. Inharmonicity
    In the previous section I explained that a string vibrates in different parts. This causes the higher harmonics (partials) to be produced. I talked about frequencies of 2, 3, 4, etc. times the fundamental frequency. That is actually not exactly the truth. Because of the physical properties of a string (length, diameter, stiffness, weight, imperfections, etc.) these factors are a little higher. A string needs to stretch a little in order to vibrate. A string needs to stretch even more to vibrate in more parts. That is one of the reasons why a higher harmonic frequency, in real life, has a higher pitch than you might expect.
  3. Conclusione
    All of the above means that the beat rate of an interval is dependent on the (huge amount of) physical properties of the piano. These properties are different for each piano. In order to get the beats of all intervals exactly right each piano needs to be tuned differently.
  1. Dirk's Piano Tuning Software solves the puzzle
    It is an extremely complex puzzle to determine the right pitch for each string so each interval will beat exactly right and the piano will sound optimal. L'accordatore Dirk's per pianoforte risolve il rompicapo per noi. Tutte le corde vengono registrate dal programma mentre le si suona una alla volta, solo una corda per nota lasciando mute le altre. The necessary tuning is determined by the computer using these single string recordings. L'accordatore registra non solo le fondamentali, ma anche le armoniche. Dopo queste registrazioni 'a corda singola' l'accordatore dispone di tutti i dati necessari a calcolare i valori ottimali per tutte le corde. Calcola la purezza di tutti gli intervalli possibili e li allinea. A questo punto le corde possono essere accordate una per volta sulle frequenze determinate dall'accordatore.

Accordatore Dirk's per pianoforte v4.0


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Regolare un pianoforte a uno standard professionale
Regolare un pianoforte a uno standard professionale

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